When I began my career as a forensic artist, the only tools I had was a #2 pencil, a sheet of cheap bond paper and a strong will to succeed. Back then, I knew nothing about cognitive interviewing, facial identification catalogs, victimology or the value of networking. I was a ‘street cop’ who viewed my…
DetailsThe concept of using facial composite assembly systems to create criminal composites is not new. Over the years, it’s been a hard-sell for companies who dabbled in the technology and tried to market their creations to law enforcement. In my opinion, facial composite assembly systems, whether mechanical, or software-driven, fell short because forensic artists were…
DetailsAfter years of endlessly sharpening pencils and breathing eraser dust, I’ve discovered a tool that’s made me a better artist. The funny thing is, it’s not much different than a pencil and in the user’s hand, works magic. Why? Because it’s digital Let me take you back, nearly 40 years ago when I first became…
DetailsMany of you have seen the name, SketchCop® Solutions bouncing around the internet. This month, I thought I would share the meaning of the title, our logo and what it represents. Brand establishment is important to companies and individuals. This includes my company – SketchCop® Solutions, Inc. We are a California-based corporation that provides forensic…
DetailsWorking with the media can be an exciting opportunity for forensic artists. It’s a great way to showcase your work and increase both your credibility and professional standing. I recently appeared in HLN’s “Unmasking A Killer”, a frightening story of California’s Golden State Killer, a prolific serial rapist/killer who’s evaded capture for over 40 years.…
DetailsThose of us employed as Forensic Artists, either by a law enforcement agency, or as a private business offering forensic services, work hard behind the scenes providing investigative support for detectives. As a full-time forensic artist with the Baltimore City Police Department, most of my time is spent creating composite sketches for detectives. Every so often I receive a call…
DetailsI’m frequently asked which case was my most difficult and why? My answer? Any case that involves children, both as a victim or eyewitness. Anytime a child is the victim of a crime, the pressure to solve the case can be tremendous. As adults, especially parents, we are given the awesome responsibility of protecting children,…
DetailsHello everyone, it’s Michael W. Streed—The SketchCop®. I’m excited to announce the launch of our first monthly newsletter bringing you tips, case reviews, news, and other information related to forensic art. Starting this year, I decided to expand my training events by offering online distance learning opportunities. Providing this opportunity will allow all of you that…
DetailsWelcome back to our blog! The staff at SketchCop Solutions has been working hard on developing new products and training to help law enforcement make the move from pencils to pixels. Our new tagline – The Digital Difference in Facial Imaging and Identification reflects our commitment to further influence the direction of the forensic facial…
DetailsWhen I began my career as a police sketch artist, there was only a handful of people doing the job. Even then, few were full-time. Most of us were beat cops or detectives. We enjoyed being cops, but we also enjoyed using our drawing skills to help catch more bad guys. Armed with nothing more…
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